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HomeMy WebLinkAbout2025-12-15 Public Art Advisory Board Agenda PacketCITY OF DANIA BEACH PUBLIC ART ADVISORY BOARD - AGENDA NW CONFERENCE ROOM/ CITY HALL 100 W DANIA BEACH BLVD MONDAY, DECEMBER 15, 2025 5:00 PM I.ROLL CALL II.APPROVAL OF MINUTES a)Approval of Minutes of the Public Art Advisory Board from the November 17, 2025 Board Meeting. III.PRESENTATIONS (Time allocation: 15 minutes or less) a)New Member Introduction b)Creative Visions Finalist: 1.Jason Tetlak 5:00 PM (Zoom) https://art.tetlak.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio 2.Timothy Robert 5:15 PM (Zoom) http://timothyrobertsmith.com/ 3.Nate Mohler 5:30 PM (In person) https://natemohler.com/ 4.Sonata Ka 5:45 PM ( In person ) https://www.instagram.com/sonataka?igsh=MXBlczlkaWoybnJmNg== 5.Sujin Lim 6 PM (Zoom) https://www.sujinlim.net/ IV.DISCUSSION ITEMS a)Mayor Davis – USCM America 250 City Art Project b)2026 Meeting Dates c)Board Attendance Report as requested by Co-Chair V.ADMINISTRATIVE UPDATES a)Bike Rack Program Update b)Buoy Updates VI.MEETING ADJOURNED CITY OF DANIA BEACH PUBLIC ART ADVISORY BOARD MEETING – MINUTES REGULAR MEETING / NW CONFERENCE RM – CITY HALL 100 W DANIA BEACH BLVD MONDAY, NOVEMBER 17, 2025 – 5:00 P.M. I. ROLL CALL The meeting was called to order at approximately 5:04PM by Chair Sharaby. Board Clerk Ibel Larios called the roll. Discussions/actions noted below were not limited to what was typed. Board Members Staff Chair Kelly Sharaby Present Community Development Director Eleanor Norena, CFM Attended Co-Chair Lilli Schipper Present Board Clerk Ibel Larios Attended Joanna Granett Present Meaghan Kent Present/arrived 5:05PM Others Marc Aptakin Present Mayor Joyce L. Davis, Commission Liaison Attended Lloyd Goradesky Absent Dr. Linda Flynn, Art Consultant Attended Rosario Psy, Art Consultant Attended Motion was made by Board Member Granett to excuse the absence for Board Member Goradesky and was seconded by Chair Sharaby. Motion passed 5-0. II. APPROVAL OF MINUTES a) Approval of Minutes of the Public Art Advisory Board (PAAB) from the October 20, 2025 Meeting. Motion was made by Co-Chair Schipper to approve the PAAB Minutes from October 20, 2025 and was seconded by Board Member Aptakin. Motion passed 5-0. III. PRESENTATION a) Guest Presentation: Xavier Cortada. https://cortada.com/ South Florida’s pioneer eco-artist, uses art’s elasticity to work across disciplines to engage communities in problem-solving. Particularly environmentally focused, his work aims to generate awareness and action around climate change, sea level rise, and biodiversity loss. He has created art at the North and South Poles to address environmental concerns at every point in between. Over the past three decades, the Cuban-American artist has created more than 150 public artworks, installations, collaborative murals, and socially engaged projects. Dr. Flynn spoke about what would transpire at today’s meeting and then introduced Xavier Cortada who explained his background and the power of both art and public art through his slide presentation. The artist was impressed with how Dania structured their Call To Artists. He spoke about different art pieces for different types of conversations, education, citizen’s action, sparking interest, etc. and incorporated information regarding planet warming and how to bring information like that to life. He showed how sea level rise did not affect just coastal areas. Adam Roberti, Executive Director of the Cortada Foundation, spoke about using socially engaged art to create meaningful and transformative experiences to educate inspire and mobilize communities to take collective action against our climate and ecological crises. Mayor Davis spoke about the magnitude and reach this would have in the Dania community. She said that the presentation showed the depth the community could be engaged in art and the environment and part of Dania Beach’s strategic plan was to be environmentally sound. Director Norena said that she understood now what this project meant and that it was much more than just yard signs The presenters were thanked for their presentation and proposal. Public Art Advisory Board Meeting - Minutes 2 November 17, 2025 b) OSRS (zoom) https://osrsmuralco.com/ Often Seen Rarely Spoken Director Norena explained that the next proposal presentation would be via Zoom. Ian Muldoon, OSRS, explained about the company and that their mural proposal was for creating a piece of public art that represented the community that locals would feel connected to. They use color, shapes and patterns to transform public space through murals and other art forms. He showed a text-based slide proposal for Dania but they could use other designs. He spoke about things like pricing, timeline, materials used, etc. Director Norena asked about the cost/price per square foot which would depend on the size and location of the wall. Dr. Flynn explained the proposal process to Ian Muldoon who was thanked for his presentation. c) Russell Mason (in person) https://www.russellmasonart.com/ Russell Mason Art (Collaborative Murals) Dr. Flynn explained, as she also did for the first two presenters, about the 15 minute presentation – usually 10 minute presentation and 5 minute question/answer period. The artist played a musical video of his work. He mentioned he was a big fan of children’s art. He explained that he did not have a final image to show as designs were provided by school kids. He also spoke about the community painting it by having the kids showing up in person and paint their ideas. He would then unify the paintings into a really dynamic piece. Dr. Flynn asked about pricing and the artist answered her. There were timeline questions. Board Member Aptakin asked about Dania Beach Boulevard. The artist said that there would be different options for the Board’s consideration once he would have the kids’ submissions. He answered how he would get the submissions from the school children. He was thanked for his presentation. Additional comments: • Board Member Aptakin questioned regarding the maintenance for Xavier Cortada. • Dr. Flynn and Rosario Psy talked about the presentation in December. • Discussion ensued regarding the timing and date of the December meeting (scheduled December 15th). • Mayor Davis inquired about the open board position due to Jennifer Giorinda moving out of Dania Beach. Dr. Flynn said that she would like to still be on the board as she still lived in Broward County. Additional discussion ensued. IV. ADMINISTRATIVE UPDATES a) Review of December Creative Visions presentations V. MEETING ADJOURNED As all business was discussed and without objection, the meeting was adjourned at approximately 6:52P.M. ATTEST: ______________________________ _______________________________________ IBEL LARIOS KELLY SHARABY, CHAIR BOARD CLERK PUBLIC ART ADVISORY BOARD (Date) (Date) For more details regarding this meeting of the Public Art Advisory Board, please request a file of the meeting by calling Ibel Larios at (954) 924-6805 x3792 or emailing ilarios@daniabeachfl.gov. Creative Visions: Installation Proposal Jason Tetlak 4424 Antisdale Street Jacksonville, Florida 32205 jason@tetlak.com 904.422.8810 IG: @jasontetlak Project Statement My concept for this project is a temporary art installation called “Inspirations” that consists of three parts; a large cube constructed on site, four separate artworks for the faces of the cube, and four viewing windows for the public to see the !nished artwork. The 3-dimensional cube will be constructed of either a wooden or metal framework that will be covered by exterior grade sheets of 4x8 plywood or similar material. Each side of the cube will consist of two panels, making the !nished cube 8 feet by 8 feet. This wooden cube will be covered with a different interactive artwork on each of it’s four sides. Called “red reveal” images, this interactive design technique allows me to hide messages or images in the art that can only be seen with the use of a red !lter. For the design of these artworks, I have chosen four quotes that I !nd inspirational and I will use a variety of fonts and type treatments to create layouts using these quotes that cover each of the four sides of the cube. In order for the public to see the hidden messages, I will install four red viewing windows nearby for people to randomly !nd and use, essentially creating a hide and seek or scavenger hunt style game to encourage people to search out the next window in order to see the hidden messages. These hidden windows will be made of red acrylic and will be temporarily fashioned to existing structures like sign poles, trees, and fences using straps that can be easily removed when the project is over. Artistic Vision This project aligns with the initiative goals by helping to transform Dania Beach into a canvas for public creativity, by enhancing the city’s art program, broadening the scope of public art, and re-imagining Dania Beach’s public spaces. By installing this temporary interactive work in a public area, the community will be confronted with art in an unexpected place, something that I strive to do with my work on a regular basis. Seeing art outside of the typical gallery or museum setting creates new access to art for many people who would not normally be exposed to it. I have seen !rst hand how these types of projects can transform public spaces and have an uplifting affect on the people who come in contact with it. Team Members The lead artist on this project is Jason Tetlak, who will handle all aspects of the design and coordinate the fabrication and installation of the !nished work. The fabrication will be handled by a South Florida company sub-contracted by the artist, this company will be selected once the project has been approved. The company’s responcibilities will be to build the box and install it in the !nal location, as well as remove it once the project duration is complete. The red viewing windows to be installed around the site will be created and installed by the lead artist. 1 - PROJECT DESCRIPTION Renderings and Mockups I will be working with a fabricator to build and install the cube, which for this project will be constructed of a metal or wooden framework to create the underlying structure. Two 4 foot by 8 foot pieces of exterior grade plywood or similar material will be attached to each side, creating an 8 foot by 8 foot cube. The top of the cube can be left open, or closed off with two additional sheets of plywood, based on the preference of the selection committee. 1 - PROJECT DESCRIPTION (CONTINUED) This is an example of a red viewing window for a recently completed project. For this installation I would likely use something smaller and less conspicuous to make it more of an adventure for the public to discover the hidden messages. Based on the surroundings of the location where the project is installed this, could included attaching the viewing windows to existing street signage, fense posts, trees, or like is seen in this example, having them free standing. Artwork Artwork viewed with red !lter 1 - PROJECT DESCRIPTION (CONTINUED) Artwork Visuals Below are the visuals that will be used to cover each side of the 8x8 cube. On the left is the view the public will see of the artwork, and on the right is what the same image looks like when viewed through the four red viewing windows that will be installed around the location. Artwork Artwork viewed with red !lter 1 - PROJECT DESCRIPTION (CONTINUED) 1 - PROJECT DESCRIPTION (CONTINUED) Location Requirements This project is not site speci!c. It is exible on where it can be installed and I look forward to working with the selection committee to identify the best location for it. Space Requirements This project can be installed in a number of different locations, but would work best in an area that has a large open space, preferably at least 30 x 30 feet. There are no power or weather requirements for this installation, and because the project is a temporary 8x8 cube with an open bottom, the only surface preparations needed would be to locate a space with a relatively at 10x10 area. There are no special requirements for access or security considerations. 2 -SITE SPECIFICATIONS This project is designed to encourage the public to engage with the artwork by making the messaging something that must be discovered through exploration of the space. A post install artist talk to allow the public to ask questions and learn about the creative process can be arranged if requested. 3 - COMMUNITY ENGAGEMENT Installation Timline This project can be fabricated off site and completed in advance of the scheduled installation of the work so that the !nished piece can be moved into place and installed quickly. Likely in only a couple of hours. The accompanying red viewing windows would also be pre-fabricated and simply need to be installed at the same time. Duration of Artwork This temporary installation is meant to be on display for four to six weeks, but can remain up for as long as 12 weeks. 4 - PROJECT LOGISTICS TIER 2 Cube fabrication/installation/removal (sub-contracted) $5,000 Supplies and materials $2,500 Travel expenses $1,500 Red window fabrication/installation $1,500 Insurance $1,000 Artist fees $5,000 10% contingency $1,000 Total $17,500 5 -BUDGET BREAKDOWN Timothy Robert Smith Mural Proposal for Creative Visions Project Project Description I am a muralist using realistically painted scenes in extreme perspectives to create exciting cinematic environments. Dramatic angles fuse together to explore the full potential of optical movement, while larger-than-life characters create a 3-D depth that pops out of the frame. Colorful skies capture the attention of the passerby, while enigmatic storylines invite them to learn more about the area. My customized designs make use of the most iconic and timeless elements of each city, with flowing compositions that complement the architecture of each space. These murals are filled with a plethora of details and hidden gems, so every time viewers see them, they will notice a new part of the story. They are pieces that spark many conversations, giving viewers a new sense of wonder and possibility. I have created a plethora of murals for public spaces, universities and cities; working with city planners and community leaders to organize many large-scale art projects. I recently created a 412 ft NFL mural for a new football stadium for the Jacksonvil le Jaguars (2023), and a 101 Freeway underpass mural in Salinas for the Clean California project (2023). My work has been featured in various media outlets, including Juxtapoz, Artillery, NBC, KCRW, and hardcover books in print. My gallery paintings have shown in solo exhibitions at TEDx Conferences, Bergamot Station, the A+D Museum, and the Lancaster Museum of Art and History. Working with the community is my favorite part of being a public artist. My murals focus on the aesthetics of community, incorporating recognizable city structures into a kaleidoscopic landscape. The scenes are designed to inspire viewers to take a second look at the familiar world with fresh eyes and imagine what it is like to see from a different perspective. My proposals are always customizable, ensuring that the elements of each design will fit perfectly for every location. Site Specifications • This mural will be specifically created for Olsen Middle School on the main entrance wall. I reached out to the principal of the school, Janet Giancarli, and she was very excited about the possibility of a large mural to inspire students. Olsen Middle School is an iCAN magnet school that serves many economically disadvantaged students. • The wall is approx. 20 feet tall and 120 feet long. The details of the mural will be painted on Polytab (an archival mural cloth) and installed on location. Although direct painting is also a possibility, Polytab is usually the preferred method because it requires less time on site (2-3 days). • I can either use a lift or tall ladder to reach the high sections of the mural. • There will we water and electricity available while working on the site. • The final coat will be a weather resistant anti-graffiti coat that protects the mural from all weather conditions. Graffiti can be easily cleaned off, saving the mural. • I will use a long tarp to protect the floor. • For this installation, I will work during the time that school is not in session. • I will work with the school to address any security issues during installation. Community Engagement Janet and I will work together to collect student input about what they think is best for this mural. I will schedule a brainstorming/sketch session with students where I explain the history of mural making, show examples, and ask students to draw what they want to see on the wall. These drawings will inspire the final mural design. My design process always starts with a ton of research about the city- it’s history, culture, and global significance. After my initial designs are finished, I always make adjustments based on suggestions from the community. The characters and objects can be customized, and I often take photos of local community leaders who are interested in appearing as characters in the mural. I also participate in artist talks throughout the mural creation and after completion, in person and online. I keep an active social media presence to show the public each step of the process, with progress shots, interviews and time-lapse videos. I am also active in community service, using art to create social change. If there are any community art groups in Dania Beach, I would love to connect with them. I can meet any inspiring artists, community leaders or other interested parties during my visits. Sample Designs The final design will come after brainstorming sessions with students, but here are some examples of potential designs. Budget (Tier 4) Paint Primer 200 $650 Bismuth Yellow $320 Organic Pyrrole Orange $230 Pyrrole Red $304 Alizarin Crimson Hue $247 Indanthrone Blue $258 Phthalo Blue Green Shade $214 Cobalt Blue $374 Chromium Oxide Green $234 Permanent Green Light $179 Titanium White $454 Carbon Black $268 Yellow Ochre $304 Raw Umber Dark $304 Burnt Sienna $200 Transparent Red Iron Oxide $294 Matte Medium 204 $376 Mural Protection Anti-Graffiti Coat/ Exterior Varnish $912 Brushes and rollers $200 Tape and plastic floor protection $150 Ladder/Lift Rental $2000 Insurance $2000 Polytab Mural Cloth $4000 Travel and Accommodation Fees $4000 Total Fees $18,472 Artist Fee $31,528 TOTAL $50,000 Solar Obelisks Creative Visions Project Dania Beach Project Proposal + Concept Renders Nate Mohler - 2025 Nate Mohler - Concept Sketches Solar Obelisks Flare Obelisk Sun Obelisk Mars Obelisk Moon Obelisk Solar Obelisks Nate Mohler Nate Mohler - Creative Visions Project Dania Beach Project Statement I am honored to advance to the next stage of the Creative Visions public art initiative and to present a detailed proposal for Solar Obelisks in Dania Beach. This project is one of my more ambitious ventures and a culmination of my exploration with media, sculpture, and environmental storytelling. I’m really excited for this opportunity to create something innovative yet engaging—an installation that resonates with the identity of Dania Beach while inviting reflection of the surrounding environment. Solar Obelisks are a series of illuminated sculptures that serve as planetary antennas—refracting solar rays during the day and glowing with stored energy at night. Made from recycled plastic, each obelisk varies in form, size and style, with a couple crowned by a radiant, “solar flare.” Installed on land or above water, the transparent material casts colorful sun shadows creating a dynamic interplay of light in the day and internal illumination at night. The work channels the interrelationship between earth and sun, human and nature—echoing ancient monuments that once marked time, light, and ancestry. Designed as a modular field of semi-transparent, refractive light sculptures; each obelisk is fabricated from recycled eco-acrylic or PETG and embedded with addressable LEDs that subtly shift from day to night. Weatherproof, re-enforced, and self-contained, the sculptures are designed to spark curiosity, serve as a gathering point, and inspire reflection. Beyond their visual presence, they embody a commitment to renewable energy and circular design through the integration of solar-panels or connected directly to a local power source. The Creative Visions program’s focus on community engagement, sustainability, and artistic interventions is very inspiring and I look forward to adapting this sculpture series to be site specific and responsive to its location. I envision Solar Obelisks as both a striking visual landmark and a catalyst for connection—a work that celebrates Dania Beach’s natural beauty, its relationship to water and sunlight, and its commitment to forward-thinking public art. I look forward to the possibility of realizing Solar Obelisks in Dania Beach, contributing to the city’s public art legacy while fostering a shared sense of wonder, reflection, and environmental awareness. Warm regards, Nate Mohler Solar Obelisks Artist: Nate Mohler LIGHT At night, each Solar Obelisk is internally illuminated with addressable RGB LEDs, allowing for precise control over color, brightness, and animation. Using TouchDesigner, I will program a custom ambient light sequence that unfolds slowly over time—mimicking the natural rhythms of breath, energy flow, and solar radiance. Each sculpture becomes both a vessel and a node in a larger interconnected system, capable of dynamic choreography while maintaining an overall meditative presence. TECHNICAL DESCRIPTION Each Solar Obelisk is a solid, monolithic sculpture created two ways, either via pressure stacked sheets of eco-acrylic layers or 3D printed with UV-stable, semi-transparent and recycled PETG. Designed specifically for outdoor environments, an internal steel rod will be act as the support structure and lighting system to ensure structural integrity and resilience against weather, wind, and temperature fluctuations. The translucent surface is optimized for light diffusion, allowing internal lighting to softly radiate outward and daytime sun to cast colored shadows. Internally, each obelisk houses a self-contained, weatherproof LED lighting system with addressable RGB pixel strips mounted to the central support rod. These lighting systems are networked together via a wireless bluetooth receiver (e.g., Art-Net or sACN), allowing synchronized control and choreographed animation across multiple sculptures. The taller obelisks and the crown-like Solar Flare elements are shipped in modular segments for ease of transport. On-site, the central support rod is anchored in place and the shell is slid on top ensuring a minimal interior structure. Sculptures can be pole-mounted with ground anchors and base plate or suspended via overhead rigging depending on the site’s infrastructure. Additional anchoring or ballast options can be provided to meet local safety codes and environmental conditions. Nate Mohler - Creative Visions Project Dania Beach Solar Obelisks Artist Team Nate Mohler – Lead Artist & Designer As lead artist, Nate Mohler will oversee the creative vision, overall design, and lighting integration for Solar Obelisks. With a practice rooted in media art, light, and environmental storytelling, Mohler will be responsible for concept development, form design, lighting programming, and on-site artistic direction. His expertise in blending technology, public space, and narrative ensures that the final work is both visually compelling and thematically resonant. Dive Design – Fabrication Support Dive Design will provide large-format robotic arm 3D printing services for the sculpture shell. Known for their innovative approach to design and fabrication, Dive Design specializes in translating complex, organic forms into durable, high-quality printed structures. They will work closely with Mohler to ensure the technical precision, structural stability, and aesthetic quality of each obelisk. Solar Punks – Solar Power Integration If we move forward with solar power, Solar Punks will serve as sustainability and renewable energy consultants for the project, designing and integrating the solar power systems that will power the obelisks after sunset. Their expertise in clean energy technology will ensure the installation is both energy-efficient and resilient to the coastal environment, while reinforcing the project’s commitment to ecological responsibility. Nate Mohler - Creative Visions Project Dania Beach Fabrication Process: The Solar Obelisks can be produced using two distinct, sustainable fabrication methods, each offering unique aesthetic and structural qualities. Method 1 – CNC-Cut Eco-Acrylic Discs: The first method to fabricate sculptures includes pressure stacking thin, tinted Eco-Acrylic sheets—made from 100% recycled, UV-stable material—CNC-cut into stacked discs of varying diameters with a central bore for an internal stainless steel support structure. The discs are stacked in sequence without spacers, creating a continuous outer surface, and are secured with a machined pressure cap. This method achieves a clean, polished finish, precise edge alignment, and vibrant light diffusion through the acrylic, while allowing for lightweight production, easy replacement of damaged components, and modular reconfiguration for site specific installations. Method 2 – Large-Format 3D Printing: Alternatively, our team has been exploring using a robotic arm outfitted with a custom 3D printing extruder capable of printing on a 6-foot bed, recycled plastic pellets are melted and extruded directly through a nozzle. The robotic arm moves fluidly along programmed tool paths, building the forms layer by layer with precise control over geometry and texture. This approach produces tall, semi-transparent sculptures with organic contours, minimal material waste, and a distinctive striated surface. However, this process is less tested and more expensive. Nate Mohler - Creative Visions Project Dania Beach Solar Obelisks Locations Solar Obelisks are designed with a modular layout that allows them to adapt to a wide range of environments, from waterfronts and parks to urban plazas and community gateways. Each installation will be tailored to its specific site through consultation with city staff, engineers, and local stakeholders, ensuring optimal placement for visibility, safety, and community interaction. This site-specific approach allows the arrangement, scale, and anchoring methods of the obelisks to be customized to the unique spatial, environmental, and cultural context of Dania Beach, enhancing both their visual impact and community relevance. Community Engagement Community engagement for Solar Obelisks will combine education, performance, and interactivity. I’m interested in partnering with local schools and community centers to host workshops or artist talks exploring solar power, recycled materials, and the creative process behind the installation, fostering both environmental awareness and artistic curiosity. The installation can also become a stage for nighttime gatherings—“light ceremonies” where the obelisks’ illumination is synchronized to live performances by local musicians, creating a shared cultural experience. Additionally, if programming budget allows we can develop a webpage for residents to temporarily change the lighting colors and patterns each evening, making the artwork a living reflection of community expression. Duration As the inaugural installation of this series, Solar Obelisks will be presented as a temporary activation lasting between 3–6 months. Due to the significant cost and resources required to produce each obelisk, the sculptures are intended to be reused and reconfigured for future exhibitions in other locations. At the conclusion of the Dania Beach installation, the components will be carefully disassembled and recycled into subsequent site-specific presentations, ensuring both sustainability and the continued life of the series. Nate Mohler - Creative Visions Project Dania Beach Solar Obelisks Installation & Production Timeline Phase 1 – Site Consultation & Planning (1 month) Conduct site visit and meet with City of Dania Beach staff, engineers, and community stakeholders to confirm placement, power access, anchoring, and any permitting needs. Gather environmental and spatial data to inform design adjustments. Phase 2 – Final Design & Procurement (1 month) Refine designs based on site specifications. Finalize fabrication drawings, order recycled PETG material, structural components, LED systems, and solar hardware. Confirm schedules with fabrication partners (Dive Design) and solar integration team (Solar Punks). Phase 3 – Fabrication & Programming (4 months) Create obelisk shell, fabricate internal structural supports, assemble LED and power systems, and weatherproof all components. Conduct interim quality checks to ensure coastal durability. Program lighting sequences and perform full system testing in a controlled environment. Prepare all components for safe transport. Phase 4 – Installation & Public Launch (2 weeks) Deliver obelisks to Dania Beach, install on-site, secure anchoring, connect power or solar systems, and conduct final programming. Official unveiling event with community programming, and scheduled “light performances”. Nate Mohler - Creative Visions Project Dania Beach Solar Obelisks Estimated Budget Breakdown – Solar Obelisks (Tier 4: $30,000 – $50,000) For 8-12 Obelisks without Solar Power Design and Project Management $5,000 10 Obelisk Rental $25,000 Lighting Programming $3,000 Transportation $5,000 Installation $5,000 Insurance + Contingency $2,500 TOTAL $45,500 Nate Mohler - Creative Visions Project Dania Beach "The Ocean in a Drop" – A Community Mosaic Celebrating Connection - Sonata 1. Detailed Project Description Project Statement "The Ocean in a Drop" is a large-scale, sea-inspired ceramic mosaic mural that will be collaboratively created with the residents of Dania Beach. Drawing from the Rumi quote “You are not a drop in the ocean; you are the entire ocean in a drop” and the concept of the ripple effect, the artwork celebrates the idea that each individual holds immense creative potential and that, together, our shared contributions form a powerful, unified whole. The mural will consist of hundreds of individually handcrafted ceramic circles—each made by a community member—arranged into a dynamic wave-like composition. Viewed from a distance, the installation will evoke the movement and interconnectedness of ocean currents, while up close, each “drop” will reveal a unique imprint of its maker’s creativity. Artistic Vision and Objectives This project will: ● Transform a public space into a vibrant landmark celebrating Dania Beach’s coastal identity. ● Engage residents directly in the creation process, fostering pride and belonging. ● Serve as a visual metaphor for interconnectedness, collaboration, and community spirit. ● Strengthen bonds between artists, residents, city administration, and local institutions. Artist & Team ●Lead Artist: Sonata Kazimieraitiene – Concept design, workshop facilitation, fabrication oversight, installation coordination. ●Assistant Fabricators: Local ceramicists/artists (to be selected) – Assist in firing, glazing, mounting. ●Community Partners: Schools, senior centers, community organizations – Host and participate in workshops. Detailed Drawings Scale : approximate 140sf The site is not a specific building. It is just a background of the mosaic for the scale purpose. Design 1 Design 2 Design 3 2. Site Specifications ● Placement: Flexible location (any suitable exterior public-facing wall or structure). ● Technical Requirements: ○ No electrical or special weather protection needed; ceramic is highly durable outdoors. ○ It is beneficial to have lighting for nighttime visibility. ○ Standard wall preparation for mosaic mounting. ○ Access for scaffolding/lifts during installation. 3. Community Engagement Engagement Strategy: ● Host multiple hands-on workshops in accessible locations (schools, community centers, senior facilities, libraries). ● Each participant will create their own ceramic “drop” using clay tools, textures, and personal symbolism. ● Include storytelling prompts during workshops to connect participants’ designs with Dania Beach’s identity. ● Provide follow-up community presentations during fabrication and at installation unveiling. Goals: ● Empower residents to see themselves as contributors to the city’s cultural landscape. ● Encourage intergenerational and intercultural exchange through art. ● Leave a lasting, visible testament to the collective creativity of Dania Beach. 4. Project Logistics ● Timeline: 3–4 months from approval to installation. Silver Lining with Corals Proposal for Creative Visions – Dania BeachTier 4: $30,001 - $50,000 08/14/2025 Sujin Lim sujinlim.netsujinlim1@gmail.com DIMENSIONS Foundation *A 10 ft diameter concrete footing, extending 6” above grade. Final dimensions will be determined by a Florida licensed structural engineer. COLOR SYSTEM 16 As an internationally exhibited artist with over two decades of experience in sculpture and site specific public art, I create sculptural installations that transform shared spaces into emotionally resonant landmarks. My work often begins with the question, “What might this space have become if the people using it had their desires met?” I aim to activate public environments by offering poetic, reflective forms that invite communal imagination and emotional connection. For the Creative Visions: Dania Beach Public Art Initiative, I propose a permanent public sculpture titled Silver Lining with Corals. This work consists of a cloud shaped human body accompanied by two small coral shaped pieces. The human form suggests a dreamer thinking, while the coral shapes evoke the beauty of marine ecosystems, offering a quiet tribute to Dania Beach’s natural environment and cultural spirit. The installation is designed for a prominent and accessible outdoor location such as a public park, near a civic building, or along a neighborhood pathway. It is intended as a long term presence that invites people to sit nearby, reflect, take photos, or gather around. Fabricated in durable, weather resistant materials, the sculpture will be built to withstand environmental exposure and continuous public interaction. Lighting elements may be included to gently illuminate the work at night, enhancing its visibility and atmosphere. PROJECT DESCRIPTION 17 Community connection is central to this project. Prior to installation, I hope to collaborate with local organizations, schools, or storytellers to host short drawing workshops or conversations around memory, dreams, and the sea. Reflections and phrases from these exchanges can be embedded or etched into the sculpture base or surrounding ground, allowing the final piece to reflect voices from within Dania Beach itself. While the call emphasizes temporary projects, this proposal demonstrates how a permanent sculpture can achieve similar goals through subtle and enduring engagement. Silver Lining with Corals is not only a visual landmark but a space for emotional pause, a place where people can experience quiet beauty, reflect on the world around them, and feel part of a shared story. My past works often feature cloud and body inspired forms that bring softness, metaphor, and emotional resonance into urban contexts. This proposal continues that trajectory while introducing coral as a symbol of healing, memory, and connection to nature. I believe Silver Lining with Corals offers Dania Beach a sculpture that can grow with the city, becoming a familiar and beloved part of everyday life. PROJECT DESCRIPTION 18 The vision of Silver Lining with Corals is to create a sculptural landmark that fosters joy, reflection, and connection in the heart of Dania Beach. By integrating monumental coral-inspired forms with the gentle presence of a cloud-shaped human figure, the work celebrates the city’s natural beauty, cultural spirit, and relationship to the sea. The installation seeks to transform an everyday public space into a welcoming destination where residents and visitors can pause, gather, and experience a sense of calm and wonder. The project celebrates nature and place by drawing on the coral reef as a symbol of resilience, healing, and interdependence. Its organic forms and warm, uplifting presence offer a visual tribute to Dania Beach’s marine environment and coastal heritage, reinforcing the city’s identity as a place where nature and community coexist. At the same time, the interplay between the dreamer figure and coral shapes invites moments of quiet contemplation and shared imagination, encouraging visitors to connect not only with the artwork but also with one another and with their own sense of place. Community engagement is also integral to the vision. Through a coral drawing workshop and conversations with local residents, schools, and cultural groups, the project will incorporate community voices into its final design, ensuring that the sculpture reflects the stories, memories, and aspirations of the people who live and work in Dania Beach. By blending poetic form, symbolic meaning, and community participation, Silver Lining with Corals aligns with the Creative Visions initiative’s mission to create art that is visually compelling, deeply connected to its environment, and meaningful to the people it serves. The work is designed to endure physically and emotionally, becoming a familiar and inspiring presence for years to come. ARTISTIC VISION AND OBJECTIVES 19 ARTIST TEAM MEMBERS Studio: Cloud Study LLC Lead Artis: Sujin Lim Project Manager: Liz Lim Designer: Hermano Luz Rodrigues, Valeria Vergara Guzman Engineer: Nick Geurts, Yetiweurks: www.yetweurks.com Fabricator: Ryan Lakowske, Fast Fiberglass: www.fastfiberglass.com ●Structural armature ; size TBD by structural engineer ●Polyester resin and fiberglass ●Matthews Paint epoxy primer used to seal structural armature Matthews Paint Base custom paint applied ●Matthews Paint Satin Clear applied as UV and graffiti protective coating 20 MATERIAL LIST Location Requirements The sculpture is designed for a prominent, publicly accessible outdoor location such as a park, civic plaza, or pedestrian thoroughfare in Dania Beach. While adaptable for flexible placement, the work will achieve its full impact in a site with high visibility from multiple approaches and space for pedestrian gathering. Proximity to natural light during the day and the ability to add subtle evening illumination will enhance the installation’s presence. Technical and Space Requirements The installation will occupy an approximate footprint of 10 ft x 10 ft with a height of 9 ft. It requires a stable, level foundation capable of supporting the sculpture’s weight and anchoring system. Power Needs and Electrical Specifications May include low-voltage LED lighting, requiring a nearby 110V power source and weatherproof electrical housing in case a lighting fixture is added. Weather Protection Requirements Fabricated from durable, weather resistant materials such as fiberglass reinforced resin with UV protective clear coat, requiring only routine maintenance for long term durability in sun, rain, humidity, and salt air. 25 SITE SPECIFICATIONS Ground/Surface Preparation Needs A reinforced concrete pad or equivalent structural footing is required to anchor the sculpture securely, with grading and leveling to ensure stability and safe public interaction. Access Requirements for Installation/Removal The site must allow vehicle and equipment access for delivery and installation, including a forklift, with clear pathways from unloading to installation. Security Considerations Durable materials and anchored installation provide strong protection against vandalism. 26 SITE SPECIFICATIONS 27 Community connection is central to the vision of Silver Lining with Corals. The project will include a series of pre installation drawing workshops in collaboration with local schools, community centers, and cultural organizations. These workshops will invite participants to share stories and ideas related to Dania Beach’s marine environment and coastal heritage, while children will be encouraged to create their own coral inspired drawings. Selected drawings from these sessions will be incorporated into the design of the smaller coral elements in the final sculpture, influencing their shapes, patterns, or colors. By embedding the creativity of local children directly into the artwork, the project will carry a visible imprint of the community’s imagination, fostering a strong sense of ownership and pride among residents. This collaborative approach ensures that the sculpture reflects both the artist’s vision and the community’s unique voice. It transforms the work into more than a public landmark; it becomes a shared creation that will be celebrated by those who helped inspire it, strengthening its emotional and cultural connection to Dania Beach for years to come. COMMUNITY ENGAGEMENT 28 TIMELINE Permanent Installation Phase 1 Design Development - Workshops -Design Development and Engineering - Site Survey - Finalize Budget - Reviews and Approvals 1 Months Phase 2 Fabrication – Model, Formation, and Assembly - Creating Scale Model - Material Procurement - Creating Form and Mold - Cutting Metal Pipes - Casting Resin - Welding and Assembly of Metal Structures 3 Months Phase 3 Fabrication – Finishing - Painting in Gradient Colors - Final Finishing Touches - Crating for Shipment 1 Months Phase 4 Installation - Foundation and Footing - Shipping to Site - Securing Sculpture - Landscape Integration if necessary - Lighting Installation if necessary - Final Inspections 1 Months 29 BUDGET Tier 4: $30,001 - $50,000 Artist Fee (10%)$5,000.00 Project Management: Design Development, Shop Drawings, Logistics $2,000.00 Engineering:$2,000.00 Sculptures $33,000.00 Armature and Structure: Steel, Hardware Resin Casting Fabrication and Paint: Material and Labor Installation $2,500.00 Transportation $2,500.00 Insurance and permit $1,000.00 Travel $2,000.00 Total:$50,000.00 PUBLIC ART ADVISORY BOARD 2026 MEETING SCHEDULE NW CONFERENCE ROOM Monday, January 26, 2026 at 5:00 p.m. – Rescheduled due to January 19th holiday Monday, February 23, 2026 at 5:00 p.m. – Rescheduled due to February 16th holiday Monday, March 16, 2026 at 5:00 p.m. Monday, April 20, 2026 at 5:00 p.m. Monday, May 18, 2026 at 5:00 p.m. Monday, June 15, 2026 at 5:00 p.m. Monday, July 20, 2026 at 5:00 p.m. Monday, August 17, 2026 at 5:00 p.m. Monday, September 21, 2026 at 5:00 p.m. Monday, October 19, 2026 at 5:00 p.m. Monday, November 16, 2026 at 5:00 p.m. Monday, December 21, 2026 at 5:00 p.m. PAAB MEMBER ATTENDANCE 2025 1/27/2025 2/24/2025 3/17/2025 4/14/2025 5/19/2025 6/16/2025 7/21/2025 8/18/2025 9/8/2025 10/20/2025 11/17/2025 12/15/2025 Total # of absences Kelly Sharaby P P E P P P P 1 Lilli Schipper P E P P P P P 1 Joanna Granett P P P P P P P 0 Meaghan Kent P P P P E P P 1 Lloyd Goradesky E P E P P E E 4 Marc Aptakin P P E P P P P 1 P = PRESENT A = ABSENT E= EXCUSED M E E T I N G C A N C E L L E D M E E T I N G C A N C E L L E D M E E T I N G C A N C E L L E D M E E T I N G C A N C E L L E D Page 1