HomeMy WebLinkAbout02.23.26 PAAB Complete Agenda Package CITY OF DANIA BEACH
PUBLIC ART ADVISORY BOARD - AGENDA
NW CONFERENCE ROOM/ CITY HALL
100 W DANIA BEACH BLVD
MONDAY, FEBRUARY 23, 2026 5:00 PM
I. ROLL CALL
II. APPROVAL OF MINUTES
a) Approval of Minutes of the Public Art Advisory Board from the January 26, 2026 Board
Meeting.
III. ACTION ITEMS
a) Creative Visions Rankings
IV. DISCUSSION ITEMS
a) USCM America 250 City Art Project (2026)
b) Bike Rack Options for Beach
c) Mural to celebrate Dania Beach and the 250th Anniversary of the United States
d) April Meeting Date Change
V. ADMINISTRATIVE UPDATES
VI. MEETING ADJOURNED
CITY OF DANIA BEACH
PUBLIC ART ADVISORY BOARD MEETING – MINUTES
REGULAR MEETING / NW CONFERENCE RM – CITY HALL
100 W DANIA BEACH BLVD
MONDAY, JANUARY 26, 2026 – 5:00 P.M.
I. ROLL CALL
The meeting was called to order at approximately 5:08PM by Acting Chair Meghan Kent and new members were
welcomed. Co-Chair Lilli Schipper arrived and then she chaired the meeting. Dr. Linda Flynn then explained that
Joanna Granett sent in her resignation about three weeks ago and two, new PAAB board members were voted in.
Rebecca Pollesch and Najuma Gayle introduced themselves to the board. Dr. Flynn explained that for the Creative
Visions Finalist, three artist presentations were seen in November and five were scheduled to present tonight. Board
Clerk Ibel Larios called the roll. Discussions/actions noted below were not limited to what was typed.
Board Members Staff
Chair Kelly Sharaby Absent Comm. Develop. Deputy Director Corinne Lajoie, AICP Attended
Co-Chair Lilli Schipper Present (arrived 5:10) Board Clerk Ibel Larios Attended
Meghan Kent Present
Marc Aptakin Present Others
Lloyd Goradesky Present Mayor Joyce L. Davis, Commission Liaison Not in Attendance
Rebecca Pollesch Present Dr. Linda Flynn, Planning Art Consultant Attended
Najuma Gayle Present Rosario Psy, Planning Art Consultant Attended
It was decided to vote now on the excusal of the one absence tonight and not wait until the Board Attendance Policy
was reviewed later on in the meeting.
Motion was made by Board Member Goradesky to excuse the absence tonight for Chair Sharaby and was seconded
by Board Member Kent. Motion passed 5-1 (Co-Chair Schipper opposed).
II. APPROVAL OF MINUTES
a) Approval of Minutes of the Public Art Advisory Board (PAAB) from the December 15, 2025 Meeting.
Motion was made by Board Member Aptakin to approve the PAAB Minutes from December 15, 2025 and was
seconded by Board Member Kent. Motion passed 6-0.
III. PRESENTATIONS (Time allocation: 15 minutes or less to include Board Q and A)
Dr. Flynn explained to each artist about the 15 minute time slot that included time for Board questions and answers.
She told all artists that they would hear from her after all the ranking was complete.
a) Creative Visions Finalist:
1. Jason Tetlak
Jason Tetlak presented a slide show via Zoom regarding his project and the timeline till completion of the project.
Some questions asked and answered were regarding what Board Member Kent wanted to know about the materials
used. Dr. Flynn asked if the cube could be moved around, would day or night affect the cube, would lighting be a
factor. Another board member wanted to know what affected the red filter, and if this was a new concept, etc. The
artist was thanked for his presentation.
2. Timothy Robert
Timothy Robert presented a slide show via Zoom regarding his project and he showed some of his previous work
designed to tell stories about the community. Since this was for a school, students could paint in safe areas. Then he
spoke about the timeline to completion. Janet Giancarli, principal of Olsen Middle School, spoke about the school,
Dania Beach, etc. and answered board questions about the school. Board Member Aptakin asked and was answered
about polytab pricing for the mural. The artist was thanked for his presentation.
Public Art Advisory Board Meeting - Minutes 2 January 26, 2026
3. Nate Mohler
Nate Mohler presented a slide show via Zoom regarding his Solar Obelisks project powered by solar. This would be
public art with technology and light. Board Member Aptakin asked and was answered about what the pillars were
made of and the weight of a piece. Co-Chair Schipper inquired about the effect of weather, especially hurricanes. Dr.
Flynn asked if this was intended to be temporary. The artist also answered regarding if he made a project like this
before and what was the daytime experience with this project. He showed side-by-side slides of what a piece looked
like during the day and then what it looked like at night. He assured that they worked with structural engineers with
these pieces. The artist was thanked for his presentation.
4. Sonata Ka (Kazimieraitiene)
Sonata Ka presented in-person her mosaic slide show proposed project starting with her previous work samples. She
then spoke about the proposed mosaic being done collaboratively with Dania residents. She explained about the long-
term investment with a ceramic mosaic as opposed to a painted mural. She answered board questions regarding things
like a proposed location for the mosaic and if she worked with any child’s age group. Dr. Flynn discussed workshops
with her. As there were no further questions, the artist was thanked for her presentation.
5. Sujin Lim
Sujin Lim presented via Zoom her Silver Lining with Corals slide show proposed project. She started by showing
some of her previous work. She spoke about design criteria (organic, whimsical, colorful) and her approach to this
project. She had a diagram with the dimensions of the proposed sculpture and base. She spoke about the materials
and the use of a licensed Florida structural engineer. She explained the fabrication and installation process, and paints
used. Maintenance and community engagement in the form of workshops were spoken about as well as the project
timeline. She was asked about and answered regarding her inspiration for the cloud heads and Dr. Flynn asked about
the location of the Cloud House sculpture. All questions asked were answered and the artist was thanked for her
presentation.
Dr. Flynn asked the board members to finish their voting sheet and to ensure their name was on their sheet. She
explained that after the sheets are tallied, they still might need to negotiate a project budget. At the February 2026
PAAB Meeting, she would come back with the rankings and the process that they would go through. She informed
that Timothy Robert was the only one who followed all the directions like making a contact in the community, figuring
out the location of the project, etc.
IV. DISCUSSION ITEMS
a) Board Attendance Policy Review
Dr. Flynn gave a slide presentation depicting what the rules for absences for some of Dania’s boards were as well as
rules for absences for the Broward County Public Art Committee. For right now, PAAB’s rule was that if a board
member missed three meetings, they should be automatically removed from the board and the City Commission shall
promptly fill that vacancy. She also discussed Conflict of Interest. They were proposing: if any board member missed
three consecutive meetings (excused or not excused), it would result in automatic vacancy or removal consideration.
Anyone missing 1/3 meetings in a 6-month period (2 meetings) or 12-month period (4 meetings) would trigger review
by staff for possible removal. She gave the criteria and the procedural requirements for an excused absence. Dr.
Flynn asked for board comments and board discussion began.
Motion was made by Co-Chair Schipper to recommend the proposed change in the Board Attendance Policy to
Staff to be provided to the City Commission and was seconded by Board Member Aptakin. Motion passed 5-1
(Board Member Goradesky opposed – he was given the opportunity to explain why he opposed and board discussion
ensued).
V. ADMINISTRATIVE UPDATES
None.
VI. MEETING ADJOURNED
As all board business was discussed and without objection, the meeting was adjourned at approximately 6:58P.M.
Signatures on the following page
Public Art Advisory Board Meeting - Minutes 3 January 26, 2026
ATTEST:
______________________________ _______________________________________
IBEL LARIOS KELLY SHARABY, CHAIR
BOARD CLERK PUBLIC ART ADVISORY BOARD
(Date) (Date)
For more details regarding this meeting of the Public Art Advisory Board, please request a file of the
meeting by calling Ibel Larios at (954) 924-6805 x3792 or emailing ilarios@daniabeachfl.gov.
February 23, 2026
FULL RANKINGS
RANKING
1 Xavier Cortada
2 Sonata KA
3 Timothy Smith
4 Russell Mason
5 Jason Teklak
6 Nate Mohler
7 Sujin Lim
8 OSRS
ARTIST #1 #2 #3 #4 #5 #6 AVERAGE RANKING
Xavier Cortada 100 100 90 85 97 472 94%1
Sonata KA 89 87 90 80 93 97 536 89%2
Timothy Smith 88 90 92 65 83 97 515 86%3
Russell Mason 80 87 81 92 75 415 83%4
Jason Teklak 55 88 80 70 78 93 464 77%5
Nate Mohler 88 78 50 75 85 83 459 76%6
Sujin Lim 50 58 10 90 66 79 353 58%7
OSRS 55 39 61 78 60 293 57%8
Final Proposal | Xavier Cortada
1. Detailed Project Description:
Project Statement
Through The Underwater: Dania Beach, I propose a participatory, multi-phase public art
activation that spans temporary installations, pop-ups, and a culminating permanent
sculpture—all designed to build environmental awareness and encourage civic
engagement around climate change and sea level rise.
At the heart of the project is a simple but powerful act—displaying one’s elevation
above sea level. Participants will be invited to claim a free, customized Underwater Yard
Sign that displays their home’s or business’s elevation. These elevation markers feature
a background image of one of my original Antarctic Ice Paintings, created using ice
and sediment collected during a National Science Foundation expedition to the South
Pole. The signs also include a QR code, allowing anyone who sees them to scan and
instantly access educational resources.
Working in close collaboration with the Cortada Foundation, we will stage temporary
pop-up events across the city under the banner of “Elevation Station” — a mobile
education and art-making hub surrounded by an installation of Underwater Yard Signs.
These activations can appear at the Dania Beach Pier, Frost Park, and especially
Dania Pointe during events like the Night Market and Family Sundays on the Lawn. At
these events, residents can learn their elevation, personalize their yard sign, get a
“HELLO my elevation is ___” sticker, win a limited-edition Underwater t-shirt, and join the
citywide public art intervention. We will also engage local volunteers to work with Dania
Beach businesses—particularly in Dania Pointe—to display elevation signs in their front
windows or green space.
Alongside these distributed markers, we will install Underwater-themed banners along
US-1 and other key streets to spark awareness. Finally, the project will culminate in the
creation of a permanent sculpture, crafted from powder-coated aluminum, that
memorializes the city’s current elevation and celebrates those who took part. This public
artwork could be placed at City Hall or Frost Park, and will serve as a lasting
educational landmark.
To celebrate the project’s arc, we will host a community unveiling event, where all
participants, volunteers, city leaders, and residents will be invited to gather, reflect, and
dedicate the sculpture together.
Artistic vision and objectives
The Underwater: Dania Beach transforms the city into a living canvas for public creativity
by engaging residents directly in an interactive, citywide climate art intervention. At its
core, the project turns a scientific fact—Dania Beach’s elevation—into a shared visual
language that appears in yards, storefronts, parks, and public corridors.
This work directly addresses the Initiative’s goals by:
● Fostering artist-led community engagement: Pop-up “Elevation Station”
events and distributed elevation markers invite residents, businesses, and
schools to participate, sparking conversations about sea level rise and the city’s
environmental future.
● Narrating the city’s story: By mapping and displaying local elevations, the
project tells a place-based story about Dania Beach’s unique geography and
vulnerability, while celebrating community pride in climate resilience.
● Collaborating across sectors: The project involves the Cortada Foundation,
local volunteers, Dania Beach businesses, civic leaders, and schools—linking the
art directly to municipal, commercial, and educational stakeholders.
● Reimagining public spaces: Temporary signs, banners, and interactive stations
turn familiar streets, parks, and gathering spaces into participatory galleries. The
permanent sculpture serves as a long-term landmark, embedding this community
conversation into the city’s visual identity.
In form and intent, the project embodies dynamic, short-term activations—pop-ups,
street banners, temporary signs—while culminating in a permanent, site-specific
sculpture. This arc ensures both the immediacy of interactive engagement and the
endurance of a public art legacy.
Artist team members
● Xavier Cortada – Artist
Conceptualizes and designs the full project; designs the sculpture; oversees all
artistic direction, fabrication, and installation; delivers speech at unveiling event.
● Adam Roberti – Executive Director, Cortada Foundation
Coordinates logistics, scheduling, and partnerships with local businesses,
schools, and civic organizations; manages Elevation Station activations;
oversees volunteer recruitment and training; directs project documentation,
outreach, and digital engagement.
2. Site Specifications:
Location requirements
While the project is flexible and can adapt to many public spaces across Dania Beach,
each individual sign and artwork will reflect the site-specific elevation of its location. The
permanent sculpture will be uniquely designed for its final placement site.
Technical and space requirements
No power, security, or weather protection is needed. Sites should be publicly accessible
with space to host temporary activations. The wall selected for the metal sculpture will
simply need to be free from any objects on or in front of it.
3. Community Engagement:
Community engagement is integral. Our Elevation Station pop-ups will serve as interactive
hubs where residents can learn and participate, while the yard signs, stickers, and t-shirts act as
both educational tools and visual statements. By decentralizing the artwork across yards, parks,
and businesses, we create a citywide gallery that makes climate science visible in everyday
spaces. Throughout the project, we will work in collaboration with local schools, volunteers,
and nonprofit partners to ensure inclusive engagement and broad participation, especially in
neighborhoods not typically included in creative programming.
4. Project Logistics:
Installation timeline
● January 2026 – Project launch, outreach, volunteer recruitment, business
engagement. Install Underwater street banners along US-1 and key corridors.
● February–April 2026 – 6 Elevation Station pop-up activations at Dania Pointe,
Dania Beach Pier, Frost Park, and/or neighborhood parks. Yard sign distribution,
sticker/t-shirt giveaways, and business sign installations.
● April 2026 – Fabrication and installation of permanent sculpture at selected site
(City Hall or Frost Park). Final push for public engagement and promotion of
unveiling event.
● Earth Week – April 2026 – Community unveiling and dedication of the sculpture,
celebrating all participants and partners.
Duration of artwork
● Yard Signs & Business Displays – Distributed and displayed by residents and
businesses indefinitely, as long as participants choose to keep them.
● Street Banners – Installed in January 2026, remaining up through April 2026 to
support project visibility.
● Permanent Sculpture – Long-term installation at designated site, intended to
remain as a lasting public landmark for decades.
5. Comprehensive Budget Breakdown (Tier 4):
LINE ITEM DESCRIPTION AMOUNT
Elevation Station
Pop-Ups
6 art/education activations at Dania Pointe, local parks,
and pier. Includes staffing, travel & materials.
$15,000
Permanent Sculpture Design, fabrication, delivery, and installation of a metal
elevation sculpture. Includes permits, insurance, and
site prep.
$12,000
Yard Signs Production and distribution of custom QR-coded
elevation yard signs. Includes stakes, printing, and
transport.
$7,500
Community Unveiling
Event
Event production including honorariums, signage,
staffing, permits, and A/V rental.
$5,000
Underwater Street
Banners
Design, fabrication, and installation of
elevation-themed banners along US-1 and nearby
corridors.
$3,000
Digital Engagement
Platform
Website updates, email campaigns, and social media
management. Includes hosting and design tools.
$3,500
Documentation Photography and videography to capture all phases of
the project. Includes editing and licensing.
$2,500
T-Shirts Production of limited-edition Underwater shirts for
community participants.
$500
Contingency Fee Covers unforeseen costs including inflation, permitting,
etc.
$1,000
TOTAL: $50,000
6. Insurance and Legal Compliance:
We have reviewed the insurance requirements outlined for the project and can fully meet them.
The Cortada Foundation maintains appropriate liability coverage and will secure any additional
insurance, permits, or documentation necessary to comply with all City of Dania Beach
requirements.
"The Ocean in a Drop" – A Community Mosaic Celebrating Connection
1. Detailed Project Description
Project Statement
"The Ocean in a Drop" is a large-scale, sea-inspired ceramic mosaic mural that will be
collaboratively created with the residents of Dania Beach. Drawing from the Rumi quote “You
are not a drop in the ocean; you are the entire ocean in a drop” and the concept of the ripple
effect, the artwork celebrates the idea that each individual holds immense creative potential and
that, together, our shared contributions form a powerful, unified whole.
The mural will consist of hundreds of individually handcrafted ceramic circles—each made by a
community member—arranged into a dynamic wave-like composition. Viewed from a distance,
the installation will evoke the movement and interconnectedness of ocean currents, while up
close, each “drop” will reveal a unique imprint of its maker’s creativity.
Artistic Vision and Objectives
This project will:
● Transform a public space into a vibrant landmark celebrating Dania Beach’s coastal
identity.
● Engage residents directly in the creation process, fostering pride and belonging.
● Serve as a visual metaphor for interconnectedness, collaboration, and community spirit.
● Strengthen bonds between artists, residents, city administration, and local institutions.
Artist & Team
● Lead Artist: Sonata Kazimieraitiene – Concept design, workshop facilitation, fabrication
oversight, installation coordination.
● Assistant Fabricators: Local ceramicists/artists (to be selected) – Assist in firing,
glazing, mounting.
● Community Partners: Schools, senior centers, community organizations – Host and
participate in workshops.
Detailed Drawings
Scale : approximate 140sf
The site is not a specific building. It is just a background of the mosaic for the scale purpose.
Design 1
○ No electrical or special weather protection needed; ceramic is highly durable
outdoors.
○ It is beneficial to have lighting for nighttime visibility.
○ Standard wall preparation for mosaic mounting.
○ Access for scaffolding/lifts during installation.
3. Community Engagement
Engagement Strategy:
● Host multiple hands-on workshops in accessible locations (schools, community
centers, senior facilities, libraries).
● Each participant will create their own ceramic “drop” using clay tools, textures, and
personal symbolism.
● Include storytelling prompts during workshops to connect participants’ designs with
Dania Beach’s identity.
● Provide follow-up community presentations during fabrication and at installation
unveiling.
Goals:
● Empower residents to see themselves as contributors to the city’s cultural landscape.
● Encourage intergenerational and intercultural exchange through art.
● Leave a lasting, visible testament to the collective creativity of Dania Beach.
4. Project Logistics
● Timeline: 3–4 months from approval to installation.
"The Ocean in a Drop"– A Community Mosaic Celebrating Connection
Location #1 Fountain Mosaic Concept
This proposal transforms the existing fountain into a vibrant civic landmark through a dynamic
mosaic composed of layered circular forms in graduated shades of blue. Inspired by the
movement and depth of the ocean, the design flows from soft aqua tones at the base to rich
indigo hues at the upper tiers, creating a sense of upward motion and living water.
The varied scale of circular elements evokes bubbles, currents, and tidal rhythms, while
reflective glass and ceramic surfaces interact with sunlight and flowing water to produce a
constantly changing visual experience. The result is a contemporary yet timeless installation that
enhances the architectural setting, strengthens community identity, and establishes the fountain
as a distinctive gathering point.
A key component of this project is community collaboration. The circular mosaic elements will
be created through a series of hands-on public workshops, inviting residents to shape, glaze, and
contribute individual ceramic pieces. These elements will be professionally fired and assembled
in partnership with Gaspar Arts Center, the local ceramic arts venue, ensuring both artistic
excellence and community ownership.
This design offers durability, visual impact, and meaningful public engagement—an investment
not only in public art, but in shared civic pride and cultural connection.
Location #2 Tidal Passage at CW Thomas Park
Location #2 Tidal Passage at CW Thomas Park
This mosaic transforms the architectural frame into a flowing ocean-inspired portal leading
toward the pool. Layered circular forms in varied sizes move organically across the columns and
beam in a gradient of deep blues, turquoise, and pale aqua, with subtle sandy tones adding
warmth and balance. The design softens the strong geometry of the structure, creating shimmer,
depth, and a dynamic visual experience while preserving open space.
Community involvement is central to the project. Through guided workshops, residents and
visitors would help to create ceramic tiles incorporated into the mosaic, fostering connection,
pride, and shared ownership. The final artwork becomes both a striking aesthetic feature and a
meaningful reflection of the community
Manotiles LLC
Architectural Ceramics
www.sonatamosaics.com
manotiles@gmail.com
708.420.1721
Timothy Robert Smith
Mural Proposal for Creative
Visions Project
Dania Beach, FL
Design Statement
•This mural will be specifically designed for the main entrance wall of Olsen Middle School. I connected
with the school’s principal, Janet Giancarli, who expressed great enthusiasm about the opportunity to
install a large-scale mural that would inspire students. Olsen Middle School is an iCAN magnet school
that serves a significant population of economically disadvantaged students.
•The wall is approx. 20 feet tall and 120 feet long. The details of the mural will be painted on Polytab (an
archival mural cloth) and installed on location. Although direct painting is also a possibility, Polytab is
usually the preferred method because it requires less time on site (2 -3 days).
•I can either use a lift or tall ladder to reach the high sections of the mural.
•There will we water and electricity available while working on the site.
•The mural will be finished with a weather-resistant, anti-graffiti protective coating to ensure durability in
all weather conditions. This coating allows graffiti to be easily removed, helping preserve the artwork over
time.
•A long tarp will be used to protect the floor during the painting and installation process.
•Students will have the opportunity to participate in painting the mural. I will provide all brushes and paint
and will instruct students on the basics of mural painting. Students will work only at ground level—no
ladders or lifts—to ensure a safe environment.
•I will complete the remaining portions of the mural.
•I will coordinate closely with the school to address and manage any security considerations during
installation.
Sample Designs
Sample Designs
Sample Designs
Sample Designs
Sample Designs
Sample Designs
Project Details
Timeline
Week 1
Creative Sketching with Students.
These drawings will inspire the mural.
Week 2-3
Mural Creation on Polytab canvas in my studio.
Week 4
Painting with students!
More painting.
Mural is finished.
Community Celebration!
Duration
This mural will be prepared with archival materials to last for at least 30 years.
Insurance and Legal Requirements
I will obtain all necessary insurance and legal requirements.
BUDGET
Paint
Primer 200 $650
Bismuth Yellow $320
Organic Pyrrole Orange $230
Pyrrole Red $304
Alizarin Crimson Hue $247
Indanthrone Blue $258
Phthalo Blue Green Shade $214
Cobalt Blue $374
Chromium Oxide Green $234
Permanent Green Light $179
Titanium White $454
Carbon Black $268
Yellow Ochre $304
Raw Umber Dark $304
Burnt Sienna $200
Transparent Red Iron Oxide $294
Matte Medium 204 $376
Mural Protection
Anti-Graffiti Coat/ Exterior Varnish $912
Brushes and rollers $185
Tape and plastic floor protection $198
Lift Rental $1930
Insurance $1704
Polytab Mural Cloth $3855
Travel and Accommodation Fees $1965
Total Fees $15,959
Community Engagement/Design________$4900
Artist Fee $28,528
TOTAL $49,387
Artist-Designed Bike Rack Program (Description and Options)
The City commissions local and regional artists to design custom bike racks that serve as
functional public art installations throughout the community. The program operates through an
annual or biannual open call, inviting artists to submit original designs that reflect the character,
history, or culture of the neighborhoods where the racks will be placed. A selection panel
comprising arts professionals, city staff, cyclists, and community members reviews submissions
for artistic merit, durability, and functionality.
Selected artists receive a design stipend and work with a fabricator (or fabricate the racks
themselves, if qualified) to produce racks that meet city engineering and ADA standards. Each
rack is sited in coordination with the public works or transportation department to ensure
placement in high-traffic areas where bicycle parking is most needed — near commercial
districts, transit stops, parks, and civic buildings. Completed racks are installed with an
identifying plaque crediting the artist and, where appropriate, noting the design's connection to
the site.
The program is typically funded through the city's percent-for-art allocation, a dedicated public
art fund, or partnerships with local business improvement districts. Over time, the collection of
artist-designed racks creates a distributed outdoor gallery that enhances streetscapes, supports
active transportation, and provides meaningful opportunities for artists — all while addressing a
practical infrastructure need.
Typical budgets for artist-designed bike racks generally fall in these ranges:
• A standard custom-designed rack usually runs between $3,000 and $8,000 per unit,
covering artist design fees, fabrication, and materials (typically powder-coated steel or
stainless steel). This is the most common range for municipal programs.
• On the lower end, around $1,500–$3,000, programs may use a template approach where
artists apply decorative elements or surface treatments to a standard rack form, keeping
fabrication costs down.
• Higher-end commissions can run $8,000–$15,000+ per rack for more sculptural,
complex designs that function as standalone public art pieces — often involving
specialized materials or more intensive fabrication.
• Many cities structure their programs with an all-in budget of $5,000–$10,000 per rack
to cover the artist stipend/honorarium, fabrication, and installation. Programs like those in
Portland, Austin, and Denver have operated successfully in this range.
• Beyond the per-rack cost, programs should also budget for installation (typically $500–
$1,500 per rack depending on surface and footing requirements), site preparation, and a
small maintenance reserve.
BIKE RACK PROGRAM EXAMPLES
Artist: TBD| Budget: TBD| Timeline: June 2026
BIKE RACK PROGRAM EXAMPLES
Artist: TBD| Budget: TBD| Timeline: June 2026
401 Stirling Rd
12/31/2025